Believe or not this is the first Queensryche studio album I have reviewed. This seems strange to me because I have been a fan of Queensryche since 1984 and writing for Metal-Rules.com since 2001, which covers seven or eight albums worth of Queensryche studio releases. However, for a big chunk of that time, I was not a big fan of what the band was doing for about 20 years from 1994 to 2013. The old saying goes, if you don’t have anything nice to say…. and besides other staff members were willing to cover those albums so all is well. (more…)
NEWS
ALBUM REVIEW: Ignite Music Magazine (The Verdict)
Queensryche…What can I say about a band that has been in the industry for over 38 years..Yes, you heard right..38 freaking years!!! Do all of us early Rychers fans feel old now!! Being around that long just is evidence that the band is doing something right, and they still kick ass live…and they are cranking out the albums like there is no end in sight. (more…)
ALBUM REVIEW: MetalReviews.com (The Verdict)
Less than a week away from seeing them live for my eleventh time, here is Queensryche. A name known throughout the rock and metal world. A band whose sound has evolved over time. I have grown up listening to this band almost my entire life, thanks to my older sister. (more…)
ALBUM REVIEW: RockRevolt Magazine (The Verdict)
10 tracks grace this collection – each one a damn near perfect collaboration of meaning and musical precision. Queensryche has always – and continues – to be one of the most impressive collections of talent on the metal scene. Vocalist Todd La Torre is a major talent – (more…)
ALBUM REVIEW: Bravewords (The Verdict)
Through now three albums in with former Crimson Glory vocalist Todd La Torre, it’s still kind of surreal to hear Queensrÿche sound this good, more than 30 years after Operation: Mindcrime. (more…)
ALBUM REVIEW: Maximum Volume Music (The Verdict)
There are certain musical things that everyone seems to believe that I sort of go….”ok maybe its me, but….”.
Things like Van Halen’s albums with DLR were better than with Sammy Hagar. Things like Iron Maiden’s later albums aren’t a patch on their newer stuff, and Bon Scott being better than Brian Johnson. (more…)
ALBUM REVIEW: Silver Tiger Media (The Verdict)
What a glorious day when you are handed The Verdict for an early listen. As a long-devoted fan of Queensrÿche I have seen all the ups and downs unfold over the past few years and like a phoenix from the flames Queensrÿche have risen and spread their wings with spectacular fashion. The Verdict is like nothing the fans have heard for many years, it oozes a heaviness that had gone missing but still stays true to its progressive roots. (more…)
ALBUM REVIEW: Metal Temple (The Verdict)
As “The Verdict” begins with “Blood of the Levant”, it immediately calls to mind a time when QUEENSRYCHE was a true force to be reckoned with. In the late nineties the band was inventive and innovative. A stunning mix of Hair Metal and Prog. Realistically, they served as a bridge between the sub-genres. They sparked an onslaught of bands trying to capture a sliver of that style and magic. No one can deny how influential “Operation Mindcrime” was, and in my mind, “Empire” was just as important. But there was always a part of me that still craved the rawness found on “The Warning”. Somehow, some way they’ve found that magical fountain of youth. “The Verdict” is a thrilling blend of all eras of QUEENSRYCHE.
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ALBUM REVIEW: Sonic Perspectives (The Verdict)
We all have that relative or close friend we want to see succeeding and finding their place in life. For the longest time, Queensrÿche seemed to occupy this space in the average progressive music fan’s mindset: it’s a band many wanted to see rekindling their past glories and releasing an album with the redeeming quality that say, Scenes from a Memory had for Dream Theater. (more…)
ALBUM REVIEW: AMNPLIFY (The Verdict)
From the opening strains of “The Levant”, all of the classic QR attributes are there – although I can’t help but think the second track “Man The Machine” (first single) would have been an even more powerful opener to the album. The song has hallmarks of the brilliantly fast paced “The Needle Lies” (Operation: Mindcrime), delivering an intensity that has been absent for more than just a few albums. (more…)